Most of the music I record is Pop, RnB, and Hip Hop. I’ve been the recordist for Akon for over a year now. I’ve recorded Dizzee Rascal, SisQo’, Becky G, Ozuna, and countless other incredible vocalists. I say all that to say this: I record a lot of vocals in genres which are heavily vocal-centric.
Recording vocals is an interesting process. There’s a technical side and an artistic side to it. There’s an ideal way to do it, and a practical way to do it. Ultimately as an engineer or producer, it’s our job to facilitate the artist’s performance, so we’re always catering to that.
Let’s start with … Continue reading
Anyone who has mixed a song will know that mixing is easier when each track is recorded individually. Because of this, most recording engineers will want to track each instrument or vocal part independently when recording a band. This works fine if you play lead guitar, but for some performers, it presents a major problem.
Vocoders can now be heard pretty often in popular music. Dating back at least 40 years, they have been used by influential electronic artists such as Kraftwerk, legendary songwriter and drummer Phil Collins, and more recently by forward-thinking pop performer Imogen Heap. Although the vocoder effect eventually found its way into our music production toolbox, it was originally intended for a much different purpose.